The Hunters in the Snow (with details), 1565, Oil on panel, Vienna
Ever since I was a young man I became fascinated with medieval life. This fascination was one of the major influences that led me into the pursuit of fantasy illustration. Knights and lords were all well and good, but I became interested in the day-to-day life of the medieval world. Although the Romantics and Victorians often portrayed this life it seemed, even to a young artist, that this was a glossy and idealized depiction. The one artist who seemed to capture the true life of the Gothic world in all its stark reality, not as a recollection or historical fancy, but in real time, was Pieter Bruegel (1525-1569)
Although Bruegel had traveled widely to view the Italian Renaissance masters of Italy and France, he returned to his home in Brussels and went on to depict some of the most astounding images in art history. Adopting the new concepts of atmospheric perspective and chiaroscuro, he defied the renaissance fashion to depict both contemporary and biblical subjects in an idealized classical nature, but instead filled his compositions with the world he saw around him.
In the early years of the Protestant Reformation he was able to balance biblical subjects with what would later be known as Dutch Genre imagery in progenies such as Rembrant and Vermeer. Images of real people, living in a real world.
Bruegel’s paintings are astonishing in their detail. He gives as much attention and care to the rendering of a thatched hovel and poor peasant children as he does to the characters of the bible. There seems to be a grace and beauty in every aspect of his tableaus, from the jumbled basket of tankards in the foreground of “Peasant Wedding”, to the frozen waterwheel in “The Hunter’s in the Snow”, Bruegel was able to tell stories in the details.
The Harvesters, 1565, Oil on panel
The Census at Bethlehem, 1566, Oil on panel
The Peasant Wedding, 1568, Oil on Panel
If you ever get the chance to see a Bruegel in person they are far more interesting than any reproduction can replicate, like trying to watch a Panavision film on an i-phone.
For an Excellent Documentary on Bruegel in General and his "Census at Bethlehem" in particular, watch: