Monday, February 3, 2014

Psylocke and Wolverine


photo by Tory Williams

I made a custom cake topper for our wedding last year featuring some familiar characters. While I already posted a picture previously, I recorded a time lapse video of (nearly) the entire sculpting process and thought I'd share it as well. The material I used is Super Sculpey, a polymer clay that stays pliable until cooked in a home oven. The directions say to bake it at 275 °F for 15 minutes (for every 1/4″ of material). That works fairly well for me, though sometimes I'll bake it at a 250 °F for slightly longer. Toward the end of the video, I show a turnaround of the finished Psylocke figure — Super Sculpey has a sheen to it that's lost after baking.



The sculpting itself is pretty straightforward, but the armature can be tricky. I used a thin, galvanized steel wire no more than 1/16″ thick. It has to be strong because the figures are so small, just 1/12 scale (or 6″ tall). It's also a good idea to use wrapping wire around the limbs, which gives the clay something to mechanically grip. I didn't have any around the apartment, so I used aluminum foil that I rolled into long, rough wires. That actually worked even better and I'll probably use the technique again.


photo by Tory Williams

It took 40 hours to sculpt and about 6 to paint (done almost continuously). Had it been something intended for reproduction, it would've taken even longer. That's one of many reasons digital sculpture is taking over. Traditional techniques are still valuable, especially for learning anatomy, but you can't beat the speed and ease of revisions that are inherent to digital.

For painting, I used Holbein's Acryla Gouache on the matte sections, Martha Stewart gloss acrylics for black and silver, and Testors Acryl for the blue and brown — basically, whatever worked. To be honest, the paint job isn't that great, but it looks just fine from far away, which is all I needed.



Even taking shortcuts, I barely finished in time. I had to bake Wolverine before I finished his arm so I could make a flight (to my wedding). I carried them on the plane with me in a small box (and the TSA didn't even stop me — guess they don't mind adamantium).

I had originally intended to sculpt Psylocke's psionic blade, but I ran out of time. I still have the materials, though, which include a translucent polymer and alcohol dye. (I found a site called The Blue Bottle Tree that details how to make work with the materials.)



TOPPER TURNAROUND. 2013.
Photoshop, 15 × 11″ @300 ppi.

At first, I was going to make the figures 9″ tall so I could use a toy katana, but that proved too large (but I still have the sword, which hangs on my miniature gun rack). For more on sculpting, please check out my previous posts:



photo by Tory Williams

5 comments:

  1. This is just f-----g awesome!

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  2. I'm so glad you did a time-lapse and included the links to your previous posts. I've always used regular sculpey, but I'm convinced I should try super sculpey instead. This is great.
    James Gardner

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  3. Beautiful job! I love the details, and what a gorgeous cake. Brave of you to tke it on a plane like that!

    I've found that mixing a box of super-sculpey with both a black and white square of Primo works a little better for me because it reduced the cracking I had with super-sculpey and gives a nice neutral grey color for photographing so I can better critique. man, I haven't sculpted in a while you really make me want to start again!

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  4. Looks like you intended to have Wolverine's claws raking the fondant but didn't in the end?

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  5. Thanks, guys!

    Stormslegacy: I typically use Super Sculpey Firm, which is gray and retains more detail, but this I'm never tried any polished work with it, though — only maquettes and sketches.

    Adam: Indeed! Thos pics were taken before I had the chance. I put them in during the cake cutting ceremony (in front of everybody, no pressure).

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