Tuesday, February 16, 2016

So A Lawyer And An Artist Walk Into A Jungle...

by Cory Godbey

In 1839, John Lloyd Stephens, an American lawyer, and Frederick Catherwood, an English artist and architect, found themselves in the midst of a civil war in Central America.

Why? Let's back up a little.

In addition to his legal endeavors, John Lloyd Stephens was an accomplished adventurer and author. He had traveled through and written about Europe, Egypt, and much of the Middle East.

Stephens had explored the ruins of the Old World and, after he heard accounts of lost civilizations in the New World, he wanted to explore them for himself.

Deciding that he could write a better book about the region, he convinced Martin Van Buren, President of the United States, to appoint him as Special Ambassador to Central America. Partly to help ease travels through the volatile territory and (I'm just assuming here) also partly because as Ambassador, Stephens would get a fancy jacket.

It seems that the role of Ambassador was vacant for good reason -- the last four to hold it had died while in office. In fact, before he left, Stephens received a letter from one of the widows that ended with:

"May you be more fortunate than any of your predecessors have been."

Frederick Catherwood, trained as an architect and educated by J. M. W. Turner at the Royal Academy, had made his reputation as a renowned topographical artist, drawing his way through many trips in the Old World ruins of the Mediterranean.

While on his way back to New York, Stephens stopped in London and met Catherwood. They struck up a friendship over their shared interest and experience in Mediterranean travel. They agreed to venture to Central America and see if they, as amateur explorers, could track down some ruins and document what they found.

Once in Central America, they hired some guides and began the arduous, weeks long, trek through the jungle heading to Copán.

As a dabbler in backpacking myself, I really enjoyed this bit of the journey that Stephens records:

"For five long hours we were dragged through mudholes, squeezed in gullies, knocked against trees, and tumbled over roots. Every step required care and great physical exertion. I felt that our inglorious epitaph might be 'tossed over the head of a mule, brained by the trunk of a mahogany tree, and buried in the mud of Mico Mountain.'" Incidents of Travel in Central America.

In fact, one night while camping in an abandoned church, Stephens and Catherwood were abducted by drunken rebel soldiers (that's the civil war bit we first talked about that beginning). Ultimately, they were let go, (due in no small part to Stephen's fancy ambassador jacket, no doubt) and continued on their way.

The two came to a river and across it caught sight of a massive, vine covered stone wall. As, Stephens remembers, "We could not see ten yards before us, and never knew what we should stumble upon next. At one time we stopped to cut away branches and vines which concealed the face of a monument, and then to dig around and bring to light a fragment, a sculptured corner of which protruded from the earth."

As historian Malcolm McNeil put it, "It would be like finding one statue in Egypt, not knowing yet that the pyramids were there."

In the end, these two managed to be the first Western explorers to uncover the Mayan civilization.

This isn't the last of Stephens' fancy Ambassador jacket, either. When they found the ruins the local land owner refused to sell rights to explore it until he saw Stephens' jacket. It must have been a really nice coat.

Catherwood set up shop and, working with a camera lucida, began a series of drawings documenting this historic, unprecedented discovery. In fact, their work ran contrary to prevailing ideas at the time, according to Wikipedia:

"Catherwood's drawings and lithographs showed without question the Maya were the authors of some of the most artistic and intellectual works of pre-Columbian America. Besides large constructions, they produced works of artistic refinement such as stone and plaster sculptures, frescoes, painted pottery and bas-reliefs in wood. As a result of these explorations, Stephens argued convincingly that the Mayans built the ancient Central American cities, in contrast to the then standard theory that a European civilization must have constructed them."

The books that they produced, Incidents of Travel in Central America, and others, would go on to be best sellers. In total, they contained over 200 illustrations by Catherwood.

In fact, if you've got $56,000 you can pick up one Catherwood's own original collection of the lithographs.

I love the idea of Catherwood, settling in for the day, readying his camera lucida, confident in the knowledge that he had the best job in the world.


I first heard of their story through a show called Myth Hunters on Netflix.

Unfortunately, for our English speaking readers, the only complete episode I could manage to track down online in is French for some reason. Bon visionnement!


  1. As a French-speaker, I was confused by "jouir de!" until I realized it meant "enjoy!". What Google Translate has done there is interpret "enjoy" as an infinitive rather than an imperative verb, leading to a fragment that, for bonus confusion, is referencing an absent complement -- basically what you've written is "To take pleasure from!" I would recommend "Bon visionnement!" in this case.

  2. Saw this show. I could not believe how awesome the art was

    1. I know it! And I'm a wreck if I have to fly (or travel in general) with original art so I have a hard time wrapping my head around galavanting off to Central America and back.

    2. Especially back in the day. Travel took forever, you were completely at the mercy of the local culture. Imagine if you forgot your brushes!? No Fed Ex.

    3. There's a lot of other interesting parts I didn't include. For example, the British governor of Honduras gave them papers but said, effectively, "these aren't going to help you where you're going." Ha! I just picture Catherwood with armloads of paper and pencils just going, huh...

  3. The camera lucida lives on... in your phone/tablet.
    It could be a fun and interesting tool for transferring sketches or onion skinning comps to new surfaces with traditional drawing tools. I know someone who uses it to transfer complicated designs in icing on cakes. The developer's tutorial for it covered some interesting features.

    1. Oh man! That would be an interesting tool to explore for sure. In the past I used a giant, clunky Art-o-graph but something on the go, so to speak, would be pretty useful.

  4. Replies
    1. It really is! I'll listen through all kinds of Netflix garbage while working but the story made me sit up and really listen. It would be worth your time to track down the episode! There's a good bit I wasn't able to include here.

  5. Thanks for the post Cory, I enjoyed it!

  6. Thanks for writing this article, I never knew about Catherwood's art, which is incredible. I looked him up on Amazon, and purchased the book "The Lost Cities of the Maya: The Life, Art, and Discoveries of Frederick Catherwood". Highly recommended.

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