is a magic card illustration for the set called Eldritch Moon. It is one of my favourite
illustrations in a long time.
The art description
was very simple: Big zombie body, instead of head there is an additional zombie
torso attached. Something like: "you got the body I got the brain"-
type of thing.
In the sketching
I came up with the idea of giving the brainy guy multiple heads attached. The
extra heads is sown into his skull so that he literally has more brain power.
The zombies of this setting was all about being stitched together so it kind of
suited very well the world. The hands he has stitched to the shoulders was a
hint to a general uniform making them look like epaulettes. Again to strengthen
the smartness of the top guy. I had no background sketched in because I was
going to do a misty shoreline to go with the seagulls, and I did not think I
need line art to create that.
thinking that the top guys - who I started thinking of being a leader type -
should have a staff, so he would resemble a wizard. I gave him yet more arms to
hold a staff, thinking I already had more than one head, so extra arms would be
the more the merrier. During the drawings of the staff I noticed that the staff
would cover and create a difficult tangent with the arms behind from the big
guy. The solution became that they hold the staff together. I added a lots of
chains and hooks and stuff to make it look more like a weapon that the bottom
guy would also use. Now it all came together how the 2 different zombies acted
and worked together holding the same tool combining their forces. The area that
was previously occupied by the dead bodies need something else. To fit the hook
theme I needed something iron and crude and dangerous: I came up with the bear
traps and thought that was exactly the kind of shoulder plates a dude like that
would wear. He could even ram someone and have the traps spring shut at the
Lastly I drew
the heads on the smart zombie´s side to have better interaction with the
seagulls. I wanted it to look like he was yelling at the birds: "Hey; get
of me you bitches" Spitting and screaming, almost like the head was a
different character that had no control over the arms and thus could not wave the
birds away. When I nailed the face of the seagull to a squealing face I was super happy. There is a whole little
story going on between the side character and the birds.
In the end
I got to keep the birds.
started painting I skipped the shoreline idea for the background and chose to
do a cloudy sky instead. The changes the image had taken was making it too busy
for also having figuratively background.