Ella

by Howard Lyon

I continue this week with part 2 of my portrait of Ella.  My last post,  A Portrait in Progress, took me up through the ├ębauche.

Before I get to the final I wanted to post a couple of the pieces that inspired my painting.  I have been reading about and looking at a lot of John William Waterhouse's paintings lately. I was looking in particular at Waterhouse's two paintings: Boreas and Windflowers

Boreas

Windflowers

I have a great love for 19th century painting.  I wanted to echo some of my favorites, but I didn't want to create something that felt like I was anachronistic, but was hopefully contemporary and just acknowledging some of the ideals and imagery of the works that I admire.

So far, the studies that I had done accounted for 3 days of work on the painting.  The ├ębauche took another two days which brings us up to day 5 on the project, or day 3 on the final painting:

Day 3


Day 4 - When I first started, the were some deep grooves in my ground that I thought I would like, but they went right through her face.  I was planning on painting thickly over the face to fill them in a bit.  It didn't work so I ended up going in with a palette knife across the face.  I effectively wasted a day and half of work.  It was a good lesson because when I noticed it on day 1, I should have just fixed it.  You can see the palette knife work on the face below.


Day 5 - finished the first pass on the face and started on the blouse


Day 7 - The first pass on everything but the landscape is done.


I don't have progress shots for the landscape so we jump to the final:



I still struggle to nail the capture when photographing my paintings, but am getting better.  There isn't as much contrast as these images might show, but dropping it down in Photoshop drops out other info and isn't quite right.  As I get better and add some gear I have been investigating, I will post more about it.


While the fabric was sheer and that came across in the photos, it didn't composite that way, but it gave me enough information that it wasn't hard to make it look sheer in the final, keeping edges soft and diffuse.


I have painted this top a few times now and I love the way light falls through the little holes in the cap sleeves.


I decided to change the flowers from my initial study.  Instead of the all white desert wildflowers, I went with some clover flowers.


Overall, I think it was about 18 days of work including the studies and photography.  That is a guess though.  I loved doing the smaller color studies and investing the time really paid off for me.

Thank you for following me through this painting process!  Onto the next painting.

Howard

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